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Love And Peace, Crossover/Atlantic, 1978. Porgy & Bess (With Cleo Laine), RCA, 1976. StreamĬhristmas In Ettal - A Black Ceremony, Cinéthèque, S.a. VideoĪ Message From The People, ABC/Tangerine, 1972. Soul Of The Holy Land - The Lost Concert, Xenon, 2004. Through The Eyes Of Love, ABC/Tangerine, 1972. The Dick Cavett Show - Ray Charles Collection, Shout Factory Theatr, 2005. Volcanic Action Of My Soul, ABC/Tangerine, 1971.
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Rare Genius - The Undiscovered Masters, Concord, 2010.īlues Connotation, Jazz Birdies Of Paradise, S.a. Ray Charles Doing His Thing, ABC/Tangerine, 1969. Yes Indeed! Performances By Ray Charles, Genesis, 2009. Ray Charles Invites You To Listen, ABC/Tangerine, 1967. Ray's Moods, ABC/Paramount/Tangerine, 1966. Ray Charles Live In Concert, ABC/Paramount, 1965 (Extended: Concord, 2011). Have A Smile With Me, ABC/Paramount, 1964.Ĭountry And Western Meets Rhythm And Blues, ABC/Paramount, 1965. Ingredients In A Recipe For Soul, ABC/Paramount, 1963. O Gênio - Ray Charles Live In Brazil, Rhino/WEA, 2004. Ray Charles - Live In Paris Volume 2 - May 18, 1962, Body & Soul, 2013. Modern Sounds In Country And Western Music - Volume Two, ABC/Paramount, 1962. Modern Sounds In Country And Western Music, ABC/Paramount, 1962. Soul Meeting - Ray Charles, Milt Jackson, Atlantic, 1961.ĭo The Twist With Ray Charles, Atlantic, 1961.
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The Genius Sings The Blues, Atlantic, 1961. Ray Charles And Betty Carter, ABC/Paramount, 1961. Ray Charles - Live In France - 1961, Eagle Rock, 2011. Genius Hits The Road, ABC/Paramount, 1960. The Genius Of Ray Charles, Atlantic, 1959. Soul Brothers - Milt Jackson & Ray Charles, Atlantic, 1958. Singular Genius - The Complete ABC Singles, Concord, 2011.Ĭhronology (more or less) based on making of-dates: Pure Genius - The Complete Atlantic Recordings (1952 - 1959), Atlantic/WEA, 2005. The 50th Anniversary Collection, Rhino/WEA, 1997. Willie And The Red Rubber Band - We're Comin' Up (.Unreleased - Swing Time 1949 - 1952, Night Train, 2006.White Duck - White Duck (1971 us, awesome swamp co.Dan Penn - Nobody's Fool (1973 us, essential count.Toe Fat - BBC Sessions (1969-70 uk, splendid hard.The Outsiders - The Outsiders (1966-67 holland, ex.Siegel Schwall Band - Live The Last Summer (1974 u.Michael Bloomfield - If You Love These Blues Play'.Finally, in 1973, they slimmed down further and became Chas & Dave. The lads stayed together, initially as the Roy Young Band, eventually shedding half their members and evolving into Black Claw. Bennett and his Rebels eventually parted company in less than wholly amicable circumstances: he wanted to get into rather more contemporary material - specifically, to move in the same direction as Blood, Sweat & Tears - whereas his band preferred to stick to their tried-and-tested good-time formula. However, during the 60's they had evolved into a powerful R&B-flavoured Soul outfit and become one of the most in-demand bands on the live circuit, far more popular than their meager three entries in the Guinness Book Of Hit Singles would suggest. Kramer's former backing group The Dakotas - by that time down to a trio, comprising former Pirates Mick Green (gtr) & Frank "All By Myself" Farley (drums), together with original member Robin McDonald (bass) - and added a four-piece brass section: billed as the Cliff Bennett Band, they subsequently set about trying to become London's equivalent of Blood, Sweat & Tears.īennett surely needs no introduction: but briefly, he'd formed the first line-up of the Rebel Rousers in the West Drayton/Hayes area way back in 1958 - they took their name from Duane Eddy's hit - with a sound, style, and repertoire based firmly on roots R&R.
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And Cliff Bennett was pretty much a case-in-point: following his split with the Rebel Rousers in the Summer of 1968 he grew his barnet, cultivated the regulation mutton-chops, underwent sartorial refit, and duly went Heavy.
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Now, way back in the late sixties, as Rock music got bluesier, heavier, and more self-conscious, a great many working muse's adapted to the changing musical and social climate simply by growing their hair, sprouting bushy sidebeards and droopy moustaches (the full beard was optional), widening their flares, dressing down, and going back to playing much the same stuff they'd been playing five years earlier - but several megawatts louder (and frequently with longer, considerably more self-indulgent solos).
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